Category Archives: Architecture

Historic preservation success: Stewart Elementary School opens!

(originally posted by Andy Sewell on January 6, 2015)

Yesterday marked the grand re-opening of the historic Stewart Elementary School in German Village, a project that Hardlines Design Company has worked hard to help Columbus City Schools complete. The renovated, 141-year-old building was redesigned to incorporate the latest technology and accomodate the needs of 21st-century schoolchildren, while retaining its historic character. Reviews of the school are positive, as evident from this article in the Columbus Dispatch:

Kelly Graham grew up in German Village and attended Stewart from 1987 to 1994. (Her husband will not let her forget that he once defeated her in the Stewart Elementary spelling bee, even though he was a grade below her.)

Graham said she appreciates that the renovated building retains its old charm, with high ceilings, wood floors and huge windows that teachers can open on nice days.

“I think it will definitely have a positive effect,” said Graham, 31, an instructional assistant at Stewart with two children attending the school. “The kids are now excited to use it.”

A group of Hardlines employees tours Stewart Elementary School shortly before it opens. Company president Charissa Durst is in the foreground. Photo credit: Jeff Bates


Hardlines President Charissa Durst co-hosts design:ROLLS this Sunday!

 

(originally posted by Andy Sewell on October 1, 2014)

This Sunday, October 5, 2014, Hardlines Design Company President Charissa Durst will be the “host” at the Lincoln Theatre, one of seven stops for the design:ROLLS bicycle tour of downtown architectural projects. The bicycle tour starts at 1 P.M. at the The Center for Architecture and Design, 50 West Town Street.

The itenerary includes the following stops:

Cristo Rey/Old School for the Deaf: Built in 1899 and renovated 2014

Columbus Museum of Art: Built in 1932 and renovated in 2012

Long Street Cap and Cultural Wall: Built 2014

Lincoln Theatre: Built in 1928 and renovated in 2009

Yellow Brick Pizza: Significant for yummy pizza!

Trautman/250 South High Street: Built in 2014

Land Grant Brewery: Built in 1921 as Capital Lift and Manufacturing Company, renovated in 2014

Tickets are still available at the Center for Architecture and Design website: http://www.columbuscfad.org/designrolls/


Hardlines’ Oyler School project wins rehabilitation award

(by Charissa Durst, posted on December 11, 2012)

Back in 2006, when Dick Krehbiel of the Roth Partnership asked me if HDC would be willing to join their team for some historic school renovations in Cincinnati, I said “Sure!” HDC would be the team’s historic preservation consultant and be responsible for the rehabilitation of the exterior enclosure, with emphasis on roofs and historic masonry and terra cotta. It seemed pretty straightforward. Little did we know that our work to repair the exterior of Oyler School would be part of an award-winning design project or that the school would become nationally recognized as a catalyst for turning around a poor urban neighborhood.

Oyler School was built in 1930 and designed by the prominent Cincinnati architectural firm of Samuel Hannaford & Sons. The building anchors the Lower Price Hill Historic District, which is located in the river valley to the southwest of downtown Cincinnati. The school’s impressive exterior was described in the National Register nomination as a “delightful blending of Art Deco and Italian Romanesque executed in terra cotta, brick, and Rookwood tile.” Statues of boys and girls executed by Rookwood are seated in various locations on the building.

View of the south elevation of Oyler School

In the mid-1970s, when Cincinnati Public Schools announced it would close Oyler, the Lower Price Hill community rallied to save their school. In the 1980s, the Community Council formed to give the community a voice in city politics and the neighborhood was listed in the National Register of Historic Places as Cincinnati’s largest historic district. Ultimately, Cincinnati Public Schools committed to a $20 million rehabilitation and addition to Oyler School.

Detail of terra cotta on the south elevation

HDC’s work centered around the restoration, repair, and replacement of the terra cotta details.  HDC’s design team researched the composition of the exiting terra cotta in order to find materials and methods for seamless repair and replacement. The team paid special attention to the different types of glazing finish the contractor would encounter, including monolithic (uniform solid), mottled (speckled), polychrome (having two or more colors on the same unit), and polychrome blended colors (varying colors are blended by method of surface application).

Falcon detail on south elevation

Ultimately, HDC designed and specified terra cotta work that work included removing, cleaning, and re-installing terra cotta features after the repair and reinforcement of the underlying structural system; repairing cracks and damaged glazing, and replicating missing/damaged items using glass fiber reinforced concrete (GFRC). HDC staff also made multiple visits to the job site to approve the quality of the mockups and to resolve hidden structural problems as pieces of terra cotta were removed for cleaning.

Capital terra cotta details

Oyler School was one of eight projects to receive a 2012 Rehabilitation Award from the Cincinnati Preservation Association. The event was held on Saturday, November 17, at the Cincinnati Zoo, whose renovation of the Reptile House also received an award. Charissa Durst and Bill Faciane represented Hardlines Design Company and were joined by representatives from the Roth Partnership, Cincinnati Public Schools, Oyler School, and the Lower Price Hill community in what may have been the largest turnout in the history of the awards.


Dick Krehbiel of the Roth Partnership and Charissa Durst of Hardlines Design Company (photo by Bill Faciane)

In tandem with the completion of its physical transformation, the school’s unique K-12 program targeted at serving the community is making national headlines, as American Public Media featured the school on four segments of its “Marketplace” program this year. Once again, Hardlines Design Company has contributed to the preservation of a historical community building.


Hardlines welcomes our new Director of Architecture, Brad Curtis!

(by Charissa Durst, originally posted October 29, 2012)

Hardlines Design Company is pleased to announce the hiring of Brad Curtis, AIA, as our new Director of Architecture. Brad brings 22 years of experience in architecture to the firm, with previous experience at large and small firms such as NBBJ, Lusk & Harkin, MKC, and Schorr Architects. He received his architecture degree at OSU when I was there as a graduate student, but he somehow managed to avoid being one my students.

Brad brings a wealth of experience and expertise to Hardlines, working for both public sector clients and private corporations.  Some of Brad’s projects include renovations for The Ohio State University, Newark; serving as Architect of Record for the new Richland County Jail; and overseeing the renovation of historic buildings into living spaces for seniors and for the hospitality industry. Brad received the AIA National Design Citation Award and AIA Kansas City, Missouri Award for his work on the Johnson County Adult Detention Center in Olathe, Kansas; as well as the 2003 AIA Dayton, Ohio award for the Salem & Grand Avenue Senior Apartments, which saved an abandoned historic building through renovation into a 70-unit senior housing complex.

In addition to all this, Brad is also working on becoming a certified PGA Golf Professional. We think we had a stroke of good luck landing him!


Lincoln Theatre Wins the Recchie Award!

(by Charissa Durst, originally posted December 9, 2011)

The Goldilocks Principle, or Third Time’s a Charm!

The James B. Recchie Award was established in 1984 by the Columbus Landmarks Foundation to honor those who have made exceptional advances in historic preservation and urban design in the central Ohio area. Since previous projects that received the award were designed by the most prestigious design firms in town, we here at HDC have always felt that the Recchie Award is one of the premier historic preservation awards in the state—and one that I’ve dearly wanted for the firm!

HDC began the addition to and rehabilitation of the Lincoln Theatre in 2005 with a master plan, with construction completed in May 2009. The 1928 Egyptian Revival theatre once was the heart of a thriving African-American neighborhood, but it had sat vacant for almost 40 years. The City of Columbus acquired the property in 2004 and recruited the Columbus Association for the Performing Arts (CAPA) to manage the building rehabilitation project. The Lincoln Theatre Association was formed with wide community support and a stated mission to “serve as the steward of the historic landmark theatre, as an incubator for talented, emerging artists.” This complex project was completed on such a fast schedule that when people asked what was our favorite part of the Lincoln Theatre project, we sometimes joked: “When it was over!” But today, we’d answer (this time, only half jokingly): “When we won the Recchie Award!”

Our path to the Recchie Award, however, was elusive, and the competition tough…

The 2009 Recchie:  Were we too small?
The Lincoln Theatre opened on Memorial Day of 2009, and we nominated the project for the Recchie Award by submitting a description of the project along with the benefits to the community. Five of the nominations were selected to be finalists, including the Lincoln Theatre, and needless to say, everyone involved was elated. The HDC design staff coordinated with the theatre staff of CAPA to show the three jurors around the building, and then we attended the awards ceremony the next day, with high hopes and crossed fingers. But the Recchie was awarded to the Ohio State University Thompson Library renovation, a large-scale, high-profile project to expand and modernize the beloved main library, one of the anchor buildings on the Oval at the OSU campus. We had to admit, the work was indeed massively impressive and well deserving of the award. So, we thought, maybe next year…

The 2010 Recchie:  Were we too big?
In 2010, we again nominated the Lincoln Theatre (thinking maybe 2009 was an anomaly), and the Lincoln again became a finalist. But this time, the Recchie Award went to a project on the opposite end of the size spectrum, the Franklin Park Residence and Gardens, a residential-sized project commended not only for its design but also for its community involvement and impact. Dozens of nearby residents came out to praise the gardens. Again, we had to admit, it was a beautifully executed historic house renovation, and one with an immediate community benefit.

HDC architect Vivian Majtenyi explains the Lincoln Theatre project during the 2010 jury tour

The 2011 Recchie:  Surprise! This time, just right!
In 2011, we decided to skip the nomination while we gathered more operating data about the theatre’s affect on the community. So you can imagine our surprise when the notification arrived that—for the third time—the Lincoln Theatre was an award finalist! When we asked who nominated the project, we were told that all nominations are anonymous, and in this case, only the name “Lincoln Theatre” was submitted, with no description or justification. This time, for the juror’s tour, HDC and CAPA each sent three people, and we highlighted the jazz academy on the third floor, the rooftop patio (missed on previous tours), and the diverse uses of the theatre.

The Jazz Academy’s keyboard studio (left) and the rooftop patio (right) (Photos courtesy of Brad Feinknopf)

We arrived at the 2011 awards ceremony at the Franklin Park Conservatory with subdued expectations, aiming to enjoy the presentation for itself. At the end of the evening, when Nancy Recchie announced that the winner was the Lincoln Theatre, we were stunned! After the presentation, we were congratulated by many friend and peers, who said the award was well deserved and long overdue.

When our group got together to talk about the process, we surmised that this year, we had done a good job on the tour of explaining what the Lincoln Theatre was all about. During the tour, juror Patty Stevens, Chief of Park Planning at Cleveland Metroparks, was amazed that the three design representatives from HDC were all women and marveled at how one firm could have architects, historians, and archaeologists under one roof. Juror Cleve Ricksecker, Executive Director of Capital Crossroads and Discovery District SID, was very impressed by how heavily the theatre was used for non-traditional events such as graduation parties and funerals, and Mark Feinknopf, an Architecture & Planning Consultant with Sacred Space Inc., was a former resident of Columbus who remembered being in the theatre before the renovation. He was particularly moved by its revival. The three jurors also commended the design of the newly inserted balcony, which has been very successful with audiences!

The performer’s view from the stage, showing the new balcony at the back (Photo courtesy of Brad Feinknopf)

The audience view of the Lincoln Theatre, from the balcony looking at the stage (Photo courtesy of Brad Feinknopf)

At left: Here we are, just before the official presentation of the plaques (the rolled awards we’re holding are for being finalists). Left to right: Todd Bemis (CAPA, VP of Operations), Charissa Durst (HDC, President), Laura Piersall (HDC, Project Architect), Alison Badowi (Kabil Associates, Structural Engineer), and Vivian Majtenyi (HDC, Architect)
At right: The 2011 Recchie Award plaque

Epilogue
Too small? Too big? Just right! That’s the Goldilocks principle, and for us, the third time quite unexpectedly turned out to be the charm. We were also given an extra award plaque to present to Mayor Coleman, in recognition of his support in securing the initial funding for the project; we’ll be giving the mayor his award in mid December.

And so, on a happy note, we here at HDC give a hearty thanks to all who contributed to the Lincoln Theatre renovation and operations, making this award possible. Be sure and check out the history of the Lincoln Theatre, and don’t miss their calendar for unique events and shows!

The Lincoln Theatre project team:
Architect: Hardlines Design Company
Mechanical/Electrical/Plumbing/Engineer: Korda/Nemeth Engineering, Inc.
Structural/Civil Engineer: Kabil Associates
Acoustician: Acoustic Dimensions
Interiors/Furnishings: Williams Interior Design
General Contractor: The Quandel Group, Inc.

Also check out the announcement in the Columbus Dispatch.


The Hardlines Design Company Story Part 1 – Our Beginnings

(by Charissa Durst, originally published October 20, 2011)

Everyone knows that garages are the birthplace of many a great company, and although Hardlines didn’t actually start in a garage, you could say a garage is what started it all! The company was founded by Don Durst and me (then Charissa Wang), who met as undergraduates at the University of Maryland School of Architecture in 1984. We both subsequently attended graduate school at The Ohio State University (OSU), and during spring break of 1990, our final year, Don rented an office over a hobby shop in Akron so he could prepare his thesis project in a private place away from his family. The owner of the building also owned an auto repair shop, and when he learned that Don was an architecture student, he asked Don if he could design a three-car garage for him to store cars. Don brought the project back to Columbus and asked me to help him with it. The date was April 28, 1990, and that became the official foundation date for the firm. The project expanded to include a three-bedroom living unit above the garage, with the hobby shop (owned by the wife) in the front, and construction occurred later that year. Our partnership was born—we just designed the garage instead of working in it!

miller-2-adj
When Don and I graduated from OSU in December 1990, we fully intended to do what most other graduates do: find a job and intern under other architects. Unfortunately for us, Operation Desert Storm was underway, and the country was in a recession. All of the firms we sent resumes to indicated we should try back later in the year. So, our careers took a brief detour–Don’s first job with a graduate degree was to work third shift at a parking garage, and mine was as a hostess in a Chinese restaurant!

In the summer of 1991, Don and I obtained summer jobs with the National Park Service (NPS) to prepare HABS/HAER* drawings at Wright-Patterson Air Force Base since we had some previous experience doing this work as undergraduates. After the summer work was completed, we persuaded the NPS to contract with our company to finish the project. As this project was winding down in the spring of 1992, the NPS recommended us to a client in Madison, Indiana, to finish HAER documentation of the Schroeder Saddle Tree Factory. We completed this work in the fall and decided to set up a permanent office in Columbus. And so the story of Hardlines begins…

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*Historic American Buildings Survey/Historic American Engineering Record

Stay tuned for next week: Why “Hardlines”?